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:: semidaily :: |
:: the play of surface and depth :: |
:: analog painter :: |
:: Mike :: |
:: allusions :: |
:: emotional undercurrents :: |
:: semi-favorites :: |
:: the banyan tree :: |
:: the rose :: |
:: the bug :: |
:: oh baby :: |
:: the geometry of everyday life :: |
:: electronic painter :: |
:: iPhoneographer :: |
:: iPad-er :: |
:: phony photo album :: |
:: Inspired By :: |
:: the alligator tree at bokeelia :: |
:: chrome, tailfins, and classic :: |
:: black and white :: |
:: wedding crasher :: |
:: two of everything :: |
:: at home in the world :: |
:: visage :: |
:: views of a world that exists for us only through the viewfinder :: |
:: genre :: |
:: 1971 school bussing protest :: |
:: my old life in film :: |
:: one-eyed cat :: |
:: just in time for the end of an era; polaroids :: |
:: four square :: |
:: six by nine :: |
:: mirrors and windows :: |
:: here are our symptoms and our monuments :: |
:: woodlot :: |
:: the spectacle of consumer culture, :: |
:: road 2007 :: |
:: everything in instant perspective :: |
:: complicated shadows :: |
:: passing illusions of everyday life :: |
:: ode to luna :: |
:: there is only one everglades :: |
:: age becomes beauty :: |
:: pictorialism - photography as a medium of self-expression :: |
:: modernism :: |
:: photoconceptualism; photos reduced to thought illustration :: |
:: famille :: |
:: the colors of my world :: |
:: par nature :: |
:: my photos: your most favorite :: |
:: my photos: ones I like best :: |
:: the flawed moment :: |
:: K10D and m42 lens tests :: |
:: brian's gallery :: |
:: faked film :: |
:: the little cameras :: |
:: Hurricane Ian Sept 28, 2022 :: |